These are the limitations for the current contract between The Producer/Beat Maker (Beezie on the Beat) and The Artist. The contract will not need to be renewed if it remains within the limitations listed below. If any numbers exceed these limitations a new agreement must be made between the beat maker and the artist for distribution to continue.
Sale Distributions, Free Downloads, For-Profit Downloads, Physical Sales of the Track, Non-Profit Performances, Paid Performances, Ticket Sales Using the Track in the Performances, Music Videos, Audio Streams, Video Streams, Broadcasting Rights, Radio Stations and Podcasts are ALL UNLIMITED and YES ALLOWED.
The following terms and conditions also apply to this contract for the exchange of the beat from the beat maker to the artist.
• The Artist shall have the right to commercially release the Track by any and all means, throughout the world, subject to these terms.
• The Artist agrees to ensure that the Producer is credited on the on the metadata and packaging or promotion of the Track as follows [Produced by Beezie On The Beat]
• The Artist acknowledges that the Producer shall retain ownership of the copyright in master and the underlying composition the Beat.
• The Producer acknowledges and agrees this contract is for an exclusive beat that will only be used for the intended artist in this contract and will not be re used, re arranged, re mixed or re sold to any other party for use in any way to protect the exclusive rights of the artist purchasing the exclusive beat that this contract pertains to.
• The rights granted to the Artist in this contract are not assignable or otherwise transferable and the artist may not resell or redistribute the beat to any other person or organization. However, the artist may include featured artists on the beat as long as the original beat purchasing artist remains the main artist, not the featured artist, on any material being released and abides by all other terms and conditions of this contract.
• The Artist agrees not to alter or change the composition of the beat without the original producers (Beezie on the Beat) permission.
• The Artist agrees not to allow any other producers to change, contribute or collaborate on the beat without the original producers (Beezie on the Beat) permission.
• The Artist agrees not to remove any producer tags from the beat without the original producers (Beezie on the Beat) permission. The beat shall retain one producer tag containing “Beezie On The Beat” in the beginning of the finished song recording.
• The Artist is not required to pay the Producer a royalty or any income from the Track. However, despite this, the Artist agrees that;
1. The Producer (Beezie on the Beat) shall have a fifty percent (50%) share of the publishing in the Track and shall receive publishing income directly from the applicable Collection Society.
2. The Artist agrees that he/she will register the Producer’s interest, on the Producer’s behalf, at the collection society in the Artist’s home territory to ensure that mechanical and performance royalties are collected throughout the world. https://en.wikipedia.org/wiki/List_of_copyright_collection_societies
3. The Artist shall use the Producer’s membership number and follow the directions contained in the email sent to the Artist by the Producer upon purchase.
3. The Producer and the Artist shall each administer their respective shares of the publishing in the Track. Any sync licenses for the Track must be pre-approved by the Producer
4. The Producer shall have the right to receive neighboring rights income as a performer on the Track directly from the applicable Collection Society. The Artist agrees that he/she will register the Producer’s interest on the Producer’s behalf with the collection society in the Artist’s home territory that administers neighboring rights income throughout the world. https://en.wikipedia.org/wiki/List_of_copyright_collection_societies
The Artist shall use the Producer’s membership number and follow the directions also contained in the email sent to the Artist upon purchase.
CAE/IPI# My BMI number is 1015751490 and songwriter name is Matthew Anthony Galati. This info must be included on any split sheet submitted for radio play, live performances, album sales and profitable streaming services to include Matthew Anthony Galati for a 50% share in the music publishing of the track as stated above.
By purchasing this beat You have no permission to resell the respective beat. You must record vocals over the beat to create your Master Recording, in order to be able to distribute it. There are no exceptions. Copyright for the Master Recording, after having recorded it, is not owned by you. The Master Recording is, instead, classified as a Derivative Work (i.e. a combination of an original copyrighted work (the beat) in combination with your original work, (the lyrics). I (Matthew Galati) owns 100% copyright of the Music (i.e. underlying musical composition,beat) and you own 100% copyright of the Lyrics.
You as The Artist must agree to the terms and conditions of this contract to release any music created from the beats transferred to you from “Beezie on the Beat” (A.K.A. Matthew Galati) in this agreement in order for commercial or profitable use or release to be acceptable. Any violation of the above terms will be considered a breach of contract at which time the agreement is null and void and you will no longer have any rights to the music provided in this exchange.
• This exclusive license and these terms constitute the entire agreement between the parties. This Agreement shall be construed in accordance with the law of The United States.
Do you, as The Artist, agree to the terms and conditions of this contract?